Moscow Dad rocker’s can still lead the dance.
Photography by Iain Rodgers.
You insidious sister of Pluto/Open mouth, icon eyes/Your ears are bliss/I know where to buy noodles for them/To touch your heart….Hey, beauty, who will pay for all this?/Life is short and can’t be stretched/ for the deaf there’s no forgiveness/Love is just a supermarket` (Translated from `Supermarket` by Krematori.)
I cannot claim to be a huge fan of Krematori but I do own one of their albums – Lyudi Nevidimski (`Invisible People`). This, within its Rocky Horror Show packaging, features a few pleasant old school rock-and-roll type numbers which put me in mind of a Craft beer bar live event, so much so that I can almost smell the whiff of yeast and wood shavings in the tracks.
Which is all very lovely, but in Russia this band signify much more than just a competent jive act.
Venerable.
Krematori’s manifestation in their home turf of Moscow only warranted a brief mention on a flyer on the window of the Mumy Troll music bar – but their many devotees would have known all about it well in advance.
Headed by Armen Grigoryan, 59, of Armenian descent, this doughty cult band has seen thirty-six years of business. Throughout the trials and tribulations of the Andropov, Gorbachev and Yeltsin eras this five piece has been a good-tempered eye of the storm. They have knocked out some fifteen studio albums each with a trademark philosophical take on life. In a way they remind me of the British band Hawkwind, even though their sound is more redolent of someone like Lindisfarne.
So I felt that I would be failing this blog not to skip over to the venue, just a stone’s throw from Red Square, on the 9th March.
Mixed crowd.
The three hundred or so punters that filed into that basement bar were the types to have proper jobs, perhaps with babysitters looking after their first borns at home. Their sap was rising with the false promise of spring in the air of this holiday weekend. The faithful gathered at the stage to await the arrival while others sat down to chomp on lobster while the wouldn’t-say-no waitresses scraped the foam off the tops of their beer glasses.
Hearing us speak English, an earnest schoolmistressy type accosted us at the bar. We were in for a treat, she informed us. She herself lived in Holland now, but made a point of catching this band live whenever she returned to Moscow. She had with her a potted tulip to deliver to the stars. However she advised us that the complex Russian lyrics formed the main point of it all.
Barn dance.
At quarter to nine the band at last showed their faces. A mock self-glorifying video backdrop announced each member as they came onto the stage.
Grigoryan hides behind raybans and a wide-brimmed hat, which does give him a certain presence whereas Nikolai Korshunov, the extroverted bassist is an identikit metal band member with his goatee beard, bald head and chunky build.Vladimir Kulikov, the lead guitarist, looks like a man who would buy you another pint if you spilled it.
Their sound – folk and blues tinged rock and roll, but enlivened with unexpected mid-sections, chugged along in an upbeat fashion.
Krematori’s principal innovation – and U.S.P – is the violin work of Maxim Guselchikov which lends a seductive hoe down feel to the proceedings.
They waded through an array of themes around consumerism, spirituality, men and women, and aliens. One of their songs was called `Bezoomni Mooshina` (`Mad Man`) and another `Hare Krishna` but the one that I recognised – as well as could most relate to – was `Supermarket` – some of the lyrics of which I have attempted to render in English above (with much help from my Russian teacher).
So we gulped down our pricey German ales and the band played on and the men, as if some primal instinct had been unearthed, did the twist with their ladies, and the band played on, and we began to look at our watches as it neared eleven and the band played on….
A cheeky townie girl, en route to a night club, peered in from a window looking out on the street above us. With satirical intent she began to twitch to the country rhythm but then she danced on and on like a mannequin whose strings were being jerked, and the band played on….
Their Official site (Russian).
You can certainly never accuse Russian rock bands of not giving value for money. Their sets always go on forever. I like Crematory, but I agree they are just very pleasant, which is why I never end up actually going to see them.
I watch them so you don’t have to!
Thanks for the comment – and keep it here!