Up-and-coming Sci Fi metal act Sunwalter have forged a great rapport with their burgeoning fan base, while established groovers Dolphin put on a polished but aloof performance.
Sunwalter shots by Iain Rogers.
Sunwalter, a five piece now in their first decade, term their own brand of symphonic power rock `sci fi metal`.
The lyrics of these twenty-something’s compositions (sung in English) reside in an intergalactic reality of their own. This is a broth of Roswell speculation and cosmic adventure as shown in their most recent album – Alien Hazard – which they toured Eastern Europe with last year.
They sustain this theatricality in all their dealings: they wear costumes, have stage names (Alexio – vocals, Olga Sol- vocals, Myutel and St Odium on guitars and Miran on drums), their stage act constitutes masquerade and the music itself owes something to the pomp and circumstance of the `prog rock` of 40 odd years back.
Sunwalter form an upbeat (if escapist) counterblast to the dark and (often lazy) nihilism of all too many acts in the same genre. They are very much helped by the soprano like `clean` vocals of Olga, who gives an operatic edge to the whole enterprise.
When I interviewed them a few years back I was very much struck by their ambition. This was focused on the music itself, in getting it just right, but also in pushing themselves out there and becoming known.
So when I clambered in to the Alibi club, right next to a Lukoil building, it was with some proprietorial concern.
The event was another `battle of the bands` format of the kind that I had first met them in. That is, a coterie of camp followers congregating to compare notes and to cheer on their own teams. This time, however, Sunwalter were hosting and it was their name at the top of the list and their t-shirts and CDs on sale in the lobby.
The bands had to do their own sound checks before going on. This was why I had assumed that the portly, bespectacled lead singer of Schwarzkopf was a sound engineer.
He and his band went on to parody Rammstein with great competence. I think their songs were their own, but would have believed them to be by the band they so much model themselves on.
Likewise, the next act (Suicider?) – lead by a standardised hairy rock god – seemed to be referencing Metallica, up to an including the American accents.
When Sunwalter made their eventual appearance they brought with them a sense of relief. This lot, at least, represented more than mere acolytes.
He may look like a stage hypnotist but
he can reverse the polarity of the neutron flow in your warp drive faster than you can say ` ““Flash Gordon`.
The attendance swelled to about 300 and it became clear that many of them had come just for Sunwalter, who, for their part seemed to relish every moment of their hour and a half set.
(He’s a nice boy really)
Alexio growled from behind a Sunwalter themed disc shaped lectern while Olga, resplendent in a shiny blue one piece costume and green eye shadow nodded to the beat.The drummer wore a death’s-head mask and at one point the guitarist leapt down from the stage and began playing from behind the audience. Olga kept up a lot of banter with her fans – she seems to have become the focus of attention – and one of them won a competition and received a gem stone.
After the curtain call the satisfied punters posed with Olga for selfies. It was then that I reflected that, for all the cheer this accomplished band spread around, they remain a hobby-band with day jobs. They deserve so much better.
*
With the tickets going at 2, 200 roubles, this was the most that I had paid for a concert in Russia. This might explain the nature of the ticket holders. They were dressed as if for the theatre and a few men had ponytails but not many wore the usual faded black t-shirt with band logos on. I was amongst urban professionals. One of them even apologised to me when he almost knocked a glass out of my hand!
The Glav Club Green Concert venue is to be found in the industrial heart of the Leninsky Prospekt area. The place seemed well run as snazzy black suited young women took our coats in the wardrobe area and it proved spacious enough to house the two thousand or so punters in non-sardine like conditions.
An icon of Russia’s post-Soviet rock-pop scene.
[spblife.info]
The lead singer, 47-year-old Andrei Lysikov, began life, after all,as a hip-hop rap artist. With Malchysnik – think a Russian Beastie Boys for the post-Soviet generation- made the Russia of the Yeltsin years both blush and wince.
Long since then he has mellowed (this concert was certificate 12+) and has been producing a more thoughtful type of techno-rock rap fusion in creative buddyship with the guitarist Pavel Dodonov.
Nobody seems quite sure how to categorise this fusion. Trip hop? Shoe gazer? British readers will know what I mean when I mention New Order and Depeche Mode. The ensemble also sometimes recall the more indigenous t.A.T.u at times.
Whatever the genre, many of their numbers, such as `Vyesna` (`Spring`) are known to pretty much all Russians.
The nondescript three-piece engineered a non-stop two-hour set shrouded in a purple and blue laser light show. Between sets they produced portentous electronic soundscapes.
This combination was often majestic and the drummer in particular fleshed out a pre-programmed bass with sharp percussion, sometimes incorporating wood blocks. A trumpeter and saxophonist came on for three songs too. The vocals, however, all seemed a bit the same, although it would have helped if I could have caught the content more.
In contrast to Sunwalter, though these heroes of Russian rock did little to reach out to the people who had bought tickets to see them. We might as well have been watching them on a screen. The audience responded in kind by not singing along and not calling for an encore.
What we did do, however, was jive. It is not so obvious from their recorded material that Dolphin constitute a great dance band – but, as the gyrating girl in dreadlocks and a satchel in front of me well knew – they can get you moving it.
