TOWN ZERO: A year in Karaganda – a model (post) Soviet province.

`And you may find yourself living in another part of the world/And you may ask yourself: `How did I get here? ` (Talking Heads `One in a Lifetime’).

Should you ever visit Kazakhstan there are three cities worth getting to know. Astana, the capital, seems still very much under construction with building works on every corner. The place does showcase some singular contemporary architecture, but the busy highways barging through it, the spaced-out topography and the absence of hustle-and bustle lend it an air of a Zamyatin type dystopia. The former capital, Almaty does still feel like the capital but with it radiates a strange kind of comatose gentrified hipsterism.

For me Kazakhstan’s Jewel-in-the-Crown is to be found in the far south near the border with Uzbekistan. The historic city of Shymkent is buoyant, full of character and even a bit eccentric.

Poor relation.

But…oh, there is one more city to mention. It is little visited by tourists and perhaps for a reason. This is Karaganda (the name is pronounced with the stress on the last syllable). People even exist who imagine Karaganda to be a fictional location owing to its close association with a well-known saying – but more of that later. I have been here for over a year now and can assure you that it is for real.

How Karaganda got its name seems something that none can agree on. Does it derive from a Turkic word meaning `dark place`? Is it a Kazakh word for `black blood` (referencing coal)? Or does the word derive from a yellow flower said to be common in the region? Whatever, Karaganda represents the prototypical medium sized Soviet city. Furthermore, it is to be found bang in the middle of Eurasia in the midst of interminable steppes.

Having become an official city in 1934, Karaganda is the outcome of coal getting found in the local strata. Much of the population came here as slave labourers working in the mines. Many of these were Volga Germans (that is, a part of the ethnic German community in Russia) but a great many of them left when the Soviet Union collapsed. Now the population consists of 45.8% ethnic Kazakhs and 40% Russians with the remaining 15% per cent being evenly divided between Volga Germans, Ukrainians, Tartars, Koreans and others.

A view of Karaganda central park.

Karaganda’s main industry was put on the map a few years ago – and for all the wrong reasons. One cold day in October two years ago a blaze broke out at Kostenko coal mine. This ensured that 45 mine workers would never see the light of day again. Unions had been complaining about lax safety standards at ArcalarMittal – the global steel company overseeing the mining operations – for some time. This was not the first, just the worst mining accident in Kazakhstan. The mines have now been taken up into government hands.

City of distinction?

For those into misery-tourism, or just history, the site of the former Soviet labour camp, KarLag, is a half hour bus ride from the city and is the must-see `attraction` of the area. One Alexander Solhenitsyn spent time there and it is even said that `A Day in the Life of Ivan Denisovich` was based on KarLag.

Gone but not forgotten: a view inside the KarLag museum.

In the centre of this centreless city lies a statue of a Second World War pilot. This is Nurken Abdirov and the street which the statue welcomes us to, is also named after him. This Kazakh pilot, aged 23, became a `Hero of the Soviet Union` after ending his own life by becoming a sort of bespoke kamikaze pilot. Finding his plane engulfed in flames after having been shot at, he aimed his doomed craft at a column of German tanks. This serves as a grisly reminder, if one were needed, that the Kazakhs too made sacrifices in battles on the side of the Allies in that war.

The Nurken Abdirov statue.

Other luminaries with a Karagandinian connection include Gennady Golovkin, the boxer and Katia Ivanova, the former `Big Brother` reality TV show contestant and girlfriend of Ronnie Woods.

Karaganda has also functioned as a rest stop for cosmonauts on their way to being fired into outer space. Baikonur Cosmo drome is the launchpad closest to the city and the Cosmonaut Hotel was constructed just to cater for cosmonauts. . For a price, you can now stay in a room once inhabited by a space explorer. As well as that, an imposing monument to Yuri Gargarin himself can be admired in the central part of the city.

Indeed, for devotees of `Soviet core` Karaganda functions as a big open -air gallery. Here you will be met by mosaics and tapestries galore alongside other paraphernalia from that era.

One of the many public art works that enrich the city.

A Soviet period sign advertising bread.

Monument to an idiom.

The unique statue toWhere? Where? In Karaganda!

However, the signature statue of Karaganda is more up-to-the-minute. Tucked away in a garden outside a restaurant one can find a polymer statue called Where? Where? In Karaganda!' Constructed in 2011 by Marat Mansurov and Vikenty Komkov, it has a place in the Guinness Book of Records for being the first statue erected in honour of an idiomatic phrase. The saying can be traced back to a time when Russians who had served time at KarLag, needed to account for gaps in their employment history. As well as implying that Karaganda is a place `in the middle of nowhere`, there is also (to a Russophone) a bit of untranslatable wordplay in the phrase.

Inhabited island.

This dismissive saying about Karaganda does become palpable after a year spent in the city. The total lack of any kind of `expat community’ here is something I can live with. In the right frame of mind this can even be framed as a part of the place’s charm. However, there are only two small museums here and one small art gallery and the biggest bookshop devotes but a quarter of a shelf to books in English and many of those are graded.

A bit of late Soviet Modernism.

I have had three tickets to see Russian bands play live cancelled in advance. My guess is that a combination of an expected low turnout and the relative inaccessibility of the place encouraged bands to strike Karaganda off their list of tour destinations. Likewise, if I want to visit my home country, Britain, I have to get to Astana, stay the night there and then arrange transport to the airport there which is some way out of the city.

The climate is something most Normies would add as another reason to spurn Karaganda. The four-month long gusty deep freeze whiteout of a winter is a challenge to those of us from gentler climes, but for me the existence of recognizable seasons here is a plus and in particular, the sparkling trees and cool breezes during the slow arrival of spring.

Hidden nuggets.

The snug retreat of a beer-bar is essential to survive such an environment. If I had to pick out one of my most loved it would be Wurst Depot Grill Bar on 25 Nurken Abdirov. This faux-German beer hall is lit in a cunning way with soft amber lamps and the attentive, no-nonsense staff serve you Praga beer (a Czech style non-hop beer produced by EFES-Kazakhstan). It is the buzzing but calming townie atmosphere that is the real draw though.

Wurst bar and grill.

The eateries consist of, for the most part, unpretentious `greasy spoon` places dealing in low priced and nutritious fare. However, Langzhou – the central Asian food chain -is also to be found here so that you can fill up on lagman – a scrumptious Uygur dish consisting of noodles, beef and lightly fried vegetables.

As for street food, samsa take-aways are ubiquitous. (Samsa being a puff pastry pasty). However, if you look around you can find Shawarma and Chibureki joints too (Shawarma being a sort of kebab and Chibureki meat or cheese within fried dough). None of this is healthy eating to be sure, but the city does boast one vegetarian restaurant.

The four cinemas here do provide a good service. Whilst none of them could be called `Art house`, they do all roll out a range of films from different countries above and beyond the routine Hollywood fare.

The cultural focal point of the city must be the Eco Museum. Set up in 1995 to gather information for study and research, this distinctive initiative is the brainchild of Dima Kalmykov, a geologist who had partaken in the clean-up operation following the Chernobyl disaster. Here, in a hall stuffed with a random load of industrial and military junk you can pick your way through displays from radar stations and mines (complete with sounds) and – their piece de resistance a used Proton rocket which, when activated, rises up from the floorboards.

Exhibit in the Ecomuseum.

When Karagandinians wish to breathe some actual air all they need to do is to climb aboard a bus which, within three hours, whisks them away to Karkaralinsk. This functions as the local beauty spot, resembling a more wooded version of the Lake District in the U.K.

Karaganda then. This is no tourist destination, but the city is anything but snooty and is peaceful in every sense of the word. In particular one of its achievements is to create an amity between so many different ethnic groups.

Catholic church constructed on behalf of the Volga German population in Karaganda.

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KIS-KIS BANG! BANG!

The saucy Mumble Rockers draw an oversized crowd at Zhest Club in ….KAZAKHSTAN.

I now reside in Almaty, the largest city in the Russian speaking former Soviet nation of Kazakhstan. This is the first experience that I have had of seeing live rock music here since arriving here just over two months ago.

Kis – Kis (their name, rather than being a reference to sucking face, has the sense of `Kitty Kitty`) originated in St Petersburg. Throughout their four years in business they have already amassed (as I would discover) a dedicated following.

The four-piece personnel consists of Sofiya Somuseva who supplies most of the vocal element and her buddy Alina Olesheva hits the sticks while Yuri Zaslonov (`Kokos`)grinds out the chords and Sergei Ivanov (`Khumny`) pumps out the bass.

Their 2019 album, `Punk Youth`, alerted the Russian rock public to their existence and their latest release, of this year, glories under the title of “How to Stop Worrying and Start Living`.

Of late the quartet have been hawking their wares in the major cities of Central Asia. Before I caught them on the 26thNovember they had already entertained the kids of Astana (Kazakhstan’s capital in the North of the country) and then done the same on Karaganda in the central region. Then, after playing for me, were due to make their way to Bishek, the capital of Kyrgystan and Tashkent of Uzbekistan.

Excess demand.

I had already expected that by getting to Zhest Club by 8pm – the time given on the ticket – would provide me ample time to chill with a glass of Line Brew, the local beer, and find a good spot to get some visual record of it all.

In the event, on reaching the unlikely street, with its endless rows of eateries and food stores, I gasped on seeing a queue coiling down the street. This would be my home for the next hour, as a diverse set of punters, not all ethnic Russians, joshed each other with bonhomie while concerned looking members of staff, walkie-talkies in hand, emerged from the club to see how their clientele was burgeoning. For the first time that year, it began to snow and we were all well dusted with it by the time the line had inched its way to the entrance.

`Zhest` means `tin` and, indeed, this twelve-year-old venue resembled a huge sardine tin, and, as the supply had exceeded demand (reaching a thousand rather than in the hundreds), we were to be the sardines.

Some had opted to leave their coats in a pile in a corner but I opted to keep mine on. Getting to the bar involved more tortoise like movements and getting anywhere near the front proved impossible as the true fans, taking the precaution of having got there early, had long since squeezed up to the front.

Kittens and heavies.

I was adjusting to all this palaver when the brassy and copper haired Somuseva strutted onto the stage wearing an asymmetrical skirt, one side being longer than the other. Flanking her were two identical men, built more like roadies than the string section that they were, hidden behind ski masks (a la Moscow Death Brigade).

The modelesque Olesheva sat on a raised platform behind her drums and a wind generator rippled her pink hair as she drummed. This was a blatant bit of theatrics but she did look very fetching and provided much of the ensemble’s most memorable visual impact.

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Only Rock and Roll.

They ran through their hits and other songs “Girlfriend`, `Kirril`, `Mincemeat` – and so on with some impressive synchronized pogoing throughout the two hour show. The crowd was kept engaged, anticipating each song as it came.

The two girls talked a lot. They sprayed the crowd with water. They collected the bras that fans hurled at them. They encouraged us to chant Rock! Rock! Rock! They told us to crouch down and then to all leap up on command.

Then Kokos took over as the drummer and another guitarist materialized so that Olesheva could launch herself into a sea of upraised hands. They quaffed some cognac (The rules must be more relaxed here as I never saw the like on a Russian stage).

Then Alina and Sofiya went for a clinch in a show of `spontaneous` affection for each other.

Of course, this stunt calls to mind the faux-lesbianism of tATu in the early noughties and no doubt they are already tired of this comparison. (The frisson that this had at that time is hard to recapture now, but the band are doing their best by, for example, recording an audio version of Maxim Sonin’s `queer` novel Letters Until Midnight of 2019).

The new tATu? [Woman.ru]

Slick.

For a four- piece, the band bang out a full sound, albeit they add some prerecorded keyboards to the mix. This is garage rock with elements of rockabilly and alt -rock, but all spun on a power pop framework. They are competent players well versed in their own upbeat genre and yet have no signature style of their own. (Kis-Kis have been bracketed in with a supposed rock trend dubbed `Mumble rock` which was initiated in Ukraine in 2016. However, it is difficult to say what the defining features of this journalistic invention are apart from a general cheekiness of attitude). For all their show of street rough-and-readiness the band aim straiight at their teen demographic, leaving nothing to chance.

Like Zveri before them they offer up a world which is cleansed of depressing oldies and which is full of parties, crushes, friendships, experiments and adventures.

A Kick to Kill the Kiss.

On this tour, perhaps Kis-Kis are playing at being cultural ambassadors to Russia. If so they are doing so at a time when many Central Asian countries, Kazakhstan in particular, are drifting away from the belligerence of the Great Bear. What can these two vixens, and other bands like these, do to bridge the gap and offer the youth of the former Soviet countries?

A punk ethos hides a very calculated approach. [Shazam.com]

The thrill of transgression? Maybe so, yet the band’s insolent naughtiness is ever more out of synch with the direction of the new wartime Russia and it even remains to be seen for how long it will be tolerated in their own country. Teen spirit? That’s a closer fit, yet the pair are now well into their twenties and I wonder how long they can sing as though they are in their first flush of youth. `Female empowerment`? Yet they appear accompanied by two body guards masquerading as guitar players. Rock and roll? This is the best suggestion, although the closest musical and stylistic comparison I can come up with is that of the Canadian teenybopper from the noughties – one Avril Lavigne.

Lead image: Mobilelegends.net