THE BYKOV CHALLENGE: Living Souls.

Russia's Catch 22   serves up a spicy goulash combining social satire, poetry, science fiction, magical realism, and polemic. Can YOU take it?`

[Alma Books Limited]
 `You should call me Comrade Major, you’re in the army aren’t you? Have you forgotten your rank? `

`No I haven’t comrade Major. `

I know I’m Comrade Major.`….

 

`I didn’t just turn up, Comrade Major, I came at your request -`

`I know I called you, I’m not senile! ` Evdokimov interrupted him loudly. `Do you think we’re all senile in Smersh? Answer me!`

`Not at all, Comrade Major`

`Not at all what?`

`Not at all senile in Smersh Comrade Major`

`How do you know what we’re like in Smersh? Perhaps you’ve been here before?`

 

This farcical interrogation appears in Living Souls, a state of the nation novel about Russia by Dmitry Bykov – an ebullient figure who has become a public intellectual, one of the last living representatives of the fabled `intellegentsia`, through his poetry and biographies. He will be fifty-two this year, and this novel came out in 2006 (as `ZH.D`) and was translated four years later.

Poet of dissent: Dmitry Bykov  [Litschool.pro]
At 433 pages long it is a Brontosaurus of a novel which provides a panoramic odyssey through post-communist Russia.

Tomorrow’s world.

However, it is a Russia of an unspecified future. This is a nation which has broken up into two ethnic tribal groups locked in a weary civil war.

There are the quasi-Hitlerian Varangians who consider themselves to be the descendants of the Vikings and the Khazars who are made up of Jews and of Muscovite liberals. Opposed to both of them are a smaller, forgotten lost race who espouse a Tao-like approach to life which worships polarity and cycles.

Having discovered free energy in the form of `phlogiston`, the rest of the world has no need for Russian oil. No longer able to sell it, the Russians convert their black gold into foodstuffs. The government, moreover, has imposed a tax on the use of certain words hence journalists have to invent their own, and homeless people are diagnosed as suffering from `Vasilenko syndrome` and are available to adopted as pets in middle class homes.

Citizen’s tales.

Against this pessimistic backdrop where everything, and religion in particular has been militarised, a number of characters play out their own stories. These are told with great meticulousness and often through intense one to one dialogues.

There is an army general cohabiting with a native from one of the captured villages, a Varangian journalist in love with a Jewess and a young girl accompanying a homeless person. All of their fates are bound up with the fabled village of Degunino, to which they make their way….

Bringing it to the West.

Cathy Porter is a very experienced translator, but when it came to bringing this difficult novel out in English she worked alongside Bykov. They had to jettison some of it, but the gritty yet lyrical evocation of the vastness of old-new Russia remains. Bykov clearly loves the damp forests, dusty cabins and rundown villages of his homeland and that is why he is so critical of it. `You almost have to be Russian to read it`, complained a British reviewer in the Financial Times (April 6th, 2010).

 

The satire recalls Kafka and Burgess but it was the British poetess Elaine Feinstein who made the most memorable comparison: `A Catch 22 for modern Russia` is how she described it. Indeed, readers Joseph Heller’s rambling comic novel will find the same sense of the absurdity of military life in these pages.

Big Russian read.

Should you get the urge to devour a Big Russian novel then – aside from the obligatory War and Peace –the obvious choices are between Pasternak’s Doctor Zhivago (1957) which evokes the Bolshevik uprising and its aftermath and Solhenitzyn’s Cancer Ward (1970) which concerns the Stalinist and post-Stalinist eras. Living Souls completes the next step by offering a chronicle of modern Russia, or be it through the prism of a dystopia.

I am enough of a glutton for punishment to have read this novel not twice but three times. The first attempt was on a twelve-hour stopover at Frankfurt airport where, with the help of much German Weisbeir, I got a sense of the novels power. The second time I read it more slowly and in dribs and drabs and I was rewarded by getting more of its humour.In the third slog I could savour the different chunks of meat and vegetable in the goulash I was gorging on. Like Russia itself, Living Souls is worth persevering with in the end.

 

Living Souls by Dmitry Bykov (Translated by Cathy Porter) is published by Alma Books Ltd, UK.

Vot Eta Da!

SOME HIGHLIGHTS OF 2018:

  • The exhibition of Modernism without Manifestoes, Chapter 2: Leningrad at the Moscow Museum of Modern Art. A reclaiming of the experimentation that was bubbling under during the Stalinist and post-Stalinist periods.
  • The doppelgänger thriller Selfie by Nikolay Khomerki from last February. A Russian film noir with a fine wintry ambience. Trailer (English subtitles) here. My review here.
  • Lena Katina (ex tATu) live at Mummytroll in March (reviewed below in tATu retrospective) in which she showcased her single `Silent Hills` in which she takes a promising new `Adult Oriented pop` direction.
  • The release of Rusalka: Lake of the Dead last July. This confirmed that Svyatoslav Podgaevsky – after Queen of Spades and The Bride is becoming the new standard-bearer of Russian Horror cinema – and is revitalising old Slavic folk myths to do so. (I intend to review this director’s films in unison soon). Trailer dubbed into English here.
  • The announcement that Dmitry Gudkov is to join forces with Ksenia Sobchak to form a new political party – The Party of Changes. (Although it remains to be seen what their full platform is going to be).
  • The introduction of the dark writings of Leonid Andreyev to the Anglophone world via the Publication of The Abyss and Other Stories (Translated by Hugh Alpin) by Alma Classics. The Silver Age of Russian Literature can now be appreciated anew.

Some things to come:

  • It looks set to be a good year for Russian cinema. In science fiction we have Coma and the Gemini Project and Attraction 2 to look forward to. In horror there is The Stray, Dawn, a sequel to Queen of Spades  and Svyatoslav Podgaevsky’s latest Yaga: Nightmare in the Forest. The cable car disaster movie Breakaway looks very promising too.
  • A review of  the Rayonnist Mikhail Larionov at the New Tretyakov.
  • And the fabulous Swan Lake at the…NAH!

GENERATION P: THE ONE STOP SPACE FOR ALL THINGS INTERESTING FROM CONTEMPORARY RUSSIA.